Pour l’installation vidéo Predictable Incident in Unfamiliar Surroundings (1995), Douglas Gordon extrait de la célèbre série télévisée américaine Star Trek les rares scènes de baisers entre le Capitaine Kirk, héros de la série, et les femmes de son entourage. Douglas Gordon and Morgane Tschiember’s installation As close as you can for as long as it lasts, presented during Elevation 1049: Avalanche in Gstaad, Switzerland. In Through a looking glass (1999), Gordon created a double-projection work around the climactic 71-second scene in Martin Scorsese’s film Taxi Driver (1976), in which the main character addresses the camera; the screens are arranged so that the character seems to be addressing himself. Discover (and save!) 1966, Glasgow, Scotland). Douglas Gordon Oct 6, 2014 - Learn about the work and career of artist Douglas Gordon. Douglas Gordon Installation. Presented at the Museum of Contemporary Art Australia for the 19th Biennale of Sydney (2014), Phantom (2011) is one of Douglas Gordon’s most extreme and intense creations; a room brought to the brink of emotion. [17][18] The Guggenheim collection also include Through a Looking Glass (1999) and Tattoo (for Reflection) by Gordon. Douglas Gordon makes videos, installations, photographs and text pieces, using both found and original material, in an attempt to lay bare the ambiguities of human life. Douglas Gordon: Timeline Jun 11–Sep 4, 2006 How we identified these works In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. See available photographs, paintings, and installation for sale and learn about the artist. k.364 premiered at the Venice Film Festival in September 2010. On view until December 23th, 2017 at Until Then, 41 Boulevard de Magenta, Paris. [24], Gordon at the Opening of his Exhibition at the. Douglas Gordon (Scottish, b. In 1993, he exhibited 24 Hour Psycho in the spaces of Tramway, Glasgow, and at Kunst-Werke Institute for Contemporary Art, Berlin. Kunst-Werke Institute for Contemporary Art, Learn how and when to remove this template message, Museum Hosts '24 Hour Psycho' -- Literally, At MoMA, Douglas Gordon: The Hourglass Contortionist, Douglas Gordon: 'Through a Looking Glass', ART IN REVIEW; Douglas Gordon; Franz West, Douglas Gordon: self-portrait of you + me, after the factory, 31 October – 15 December 2007, "New" Museum of Modern (Contemporary) Art, Douglas Gordon: Fog, 4 November – 23 December 2004, "Migros Museum für Gegenwartskunst–Werke in der Sammlung", "Collections en ligne | Musée d'Art Moderne de la Ville de Paris", "Search Result Details - Hirshhorn Museum and Sculpture Garden | Smithsonian", "Research on Contemporary Artists - haaedu.org", Turner Prize 1996 artists: Douglas Gordon, Roswitha Haftmann Prize Goes to Video Artist Douglas Gordon, "Professor Douglas Gordon CorrFRSE - The Royal Society of Edinburgh", Review of "what you want me to say..." exhibition in Barcelona, "Pretty much every film and video work from about 1992 until now. Tomoo Gokita “PEEKABOO” exhibition opening and after party at Tokyo Opera City... See Yasmine Eslami’s new S/S 2018 swimwear campaign, BIRKENSTOCK BOX x Rick Owens Launch Party at Rick Owens, Los Angeles, “Ritual” by Tom Sachs at Thaddaeus Ropac, Paris, “More Than Tongue Can Tell” an exhibition by Torbjørn Rødland, Purple TV PRESENTS: Marsell SS21 featuring Eliot Sumner shot by Federico Radaelli. December 9–21, 2014. Share on Facebook; Share on Twitter With a guaranteed happy ending, John Wayne needs five years—therefore the installation’s title—to find a kidnapped child. [8] Gordon also made a film about Zinedine Zidane, Zidane, un portrait du 21e siècle (2006), an idea first seen in a film by Hellmuth Costard, who, in 1970, made a film about George Best titled Football as Never Before. In 2005, he put together an exhibition at the Deutsche Guggenheim, Berlin called The Vanity of Allegory. This volume examines the innovative work of 34-year-old Scottish artist Douglas Gordon. Douglas Gordon, 24 Hour Pyscho (1993). Open to the public December 9, 2014–January 4, 2015. View Douglas Gordon’s 333 artworks on artnet. Each of our Douglas & Gordon sales and lettings agents are carefully selected and trained to deliver the highest levels of professionalism. The Berlin show was curated by Klaus Biesenbach. Douglas Gordon (born 20 September 1966) is a Scottish artist. Installation Video by Tom Powel Imaging Douglas Gordon, The End of Civilisation, 2012 Gagosian Gallery Tuesday–Wednesday: 12:00pm–6:00pm Thursday: 12:00pm–8:00pm Friday–Saturday: 12:00pm–6:00pm Sunday: 11:00pm–5:00pm Wade Thompson Drill Hall $15. Retrospective solo exhibitions were shown at Museum für Moderne Kunst, Frankfurt am Main in 2011 to 2012, Tel Aviv Museum of Art in 2013 and at the Australian Centre for Contemporary Art in Melbourne in 2014. The projections, measuring at least 3 x 5.5 m, are shown on opposing walls in a blacked-out room, with one image flipped horizontally so that the images mirror one another. On view until December 23th, 2017 at Until Then, 41 Boulevard de Magenta, Paris, Alin Bozbiciu “Theater as life” exhibition at untilthen gallery, Paris, Daniel Arsham “The Angle of Repose” solo exhibition at Galerie Perrotin, Paris, Julio Le Parc “Bifurcations” solo exhibition at Galerie Perrotin, Paris. Much of Gordon's work is seen as being about memory and uses repetition in various forms. [6], Originally conceived as a site-specific video projection for Gagosian Gallery in Chelsea,[7] Play Dead; Real Time (2003) consists of two videos projected on two large screens showing a circus elephant named Minnie ponderously performing for an off-screen trainer in the empty, spacious, white-walled gallery room. Douglas Gordon «5 year drive-by» «5 year drive-by» refers to the duration of the storyline of «The Searchers,» the Western by John Ford. ... ‘Reflux’, 2016, site-specific installation, 170g matte Fine Art wallpaper, variable dimensions, unique, exhibition view, Paris Photo 2016 INQUIRE. Photo: John Riddy Douglas Gordon 1996 Gordon took part in the Biennale of Sydney 2014 and Documenta 17. Douglas Gordon and Morgane Tschiember’s installation As close as you can for as long as it lasts, presented during Elevation 1049: Avalanche in Gstaad, Switzerland. Douglas Gordon (born 20 September 1966) is a Scottish artist. Having begun his career as a performance artist, Gordon has produced a diverse body of works, which has grown to include video, sound photographic objects, and texts, often plays with viewers’ perceptions, memories and expectations. While Scottish artist Douglas Gordon has developed a practice primarily based in video art and photography, his body of work is diverse and also includes sound, text, and installation art. [5] Feature Film (1999) is a projection of Gordon's own film of James Conlon conducting Bernard Herrmann's score to Vertigo, thus drawing attention to the film score and the emotional responses it creates in the viewer. Much of Gordon's work is seen as being about memory and uses repetition in various forms. His work often overturns traditional uses of video by playing with time elements and employing multiple monitors. [16] A survey of his textworks was shown at Tate Britain, London in 2010. May 1, 2014 - Shaz Madani is an independent designer and art director working across publications, branding, installations and websites. Across our 19 London offices, our teams always act honestly and with integrity, to ensure the best results for their clients. The Guardian. Currently on view in the Contemporary Galleries at The Museum of Modern Art is a large-scale video installation by the Scottish artist Douglas Gordon. Douglas Gordon: Phantom, 11 December 2014 – 17 January 2015. 24 Hour Psycho is the title of an art installation created by artist Douglas Gordon in 1993. The work consists entirely of an appropriation of Alfred Hitchcock's 1960 Psycho slowed down to approximately two frames a second, rather than the usual 24. (1992-), Everyone I Have Ever Slept With 1963–1995, The Physical Impossibility of Death in the Mind of Someone Living, https://en.wikipedia.org/w/index.php?title=Douglas_Gordon&oldid=1000775067, BLP articles lacking sources from October 2017, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, 2018: Elected a Corresponding Fellow of the, This page was last edited on 16 January 2021, at 17:25. Nationality British ; Date of birth 1966; Douglas Gordon was born in Glasgow and is often associated with the Young British Artists movement. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. 1966) visualizes, pictures, and “sculpts” time in many of his works. Get in touch today Play Dead; Real Time (2003) is co-owned by MMK Frankfurt and Hirschhorn Museum and Sculpture Garden Collection. His work references popular culture, commodities and mechanisms of the everyday to conjure collective memory and recalibrate reactions to the familiar, such as in his famous 1993 piece 24 Hour Psycho.. Learn more about renting, buying, selling, investing and how we can make ‘everything property’ easier. Further solo exhibitions have been held at Museum Folkwang, Essen, Germany 2013, Musée D'art Moderne de la Ville de Paris, 2014. [5] The video installation left is right and right is wrong and left is wrong and right is right (1999) presents two projections of Otto Preminger's Whirlpool (1949) side by side, with the one on the right reversed so that the two sides mirror each other; by digital means, Gordon separated individual frames of the original film so that odd-numbered ones on one side alternate with even-numbered ones on the other. Gordon's first solo show was in 1986. Installation view: Spellbound: Art and Film, Hayward Gallery, 1996. [10], Gordon has also made photographs, often in series with relatively minor variations between each individual piece. [5] The footage showing Minnie’s sequences of tricks is simultaneously presented in a front and a rear life-sized projection and on a monitor, with each one depicting the same event from a range of perspectives, including close-ups of the animal's eyes. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. View Douglas Gordon’s 333 artworks on artnet. Douglas Gordon & Philippe Parreno ‘Zidane – A 21st Century Portrait’, 2006, installation view, 2020, Louisiana Museum of Modern Art INQUIRE. Douglas Gordon «24 Hour Psycho» «Realistically, no one can watch the whole of «24 Hour Psycho», which consists of Alfred Hitchcock’s film «Psycho» (1960) slowed down so that a single, continuous viewing lasts for twenty-four hours. In one installation, this was placed at the top of a tall building, referencing one of the film's main plot points. He uses material from the public realm and also creates performance-based videos. Feature Film is a video installation by the Scottish artist Douglas Gordon.It is comprised of two large wall projections showing the same closely cropped footage of a conductor’s hands and face. Gallery versions of Zidane, un portrait du 21e siècle (2006) were purchased by the Scottish National Gallery of Modern Art and the Solomon R. Guggenheim Museum, New York. your own Pins on Pinterest Douglas & Gordon are family owned independent London estate agents. The actual film lasts 113 minutes and the installation just under seven weeks. Artworks, biography, exhibitions, editorial content, news, museum exhibitions, press, and more. [2] One of his best-known art works is 24 Hour Psycho (1993) which slows down Alfred Hitchcock's film Psycho so that it lasts twenty four hours. Through his work, Gordon investigates human conditions like memory and the passage of time, as well as universal dualities such as life and death, good and evil, right and wrong. Gordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese. Les scènes sont re … The Love issue captured by Johnny Le in SoHo, Louis Vuitton’s “Walk in the Park” Pop-Up by Virgil Abloh, PURPLE COCKTAIL WITH AU DÉPART PARIS AT THE HOTEL CRILLON (PART III), Prada F/W ’21 Menswear, Milan [14][15] Another 2006 retrospective was on view at the Kunstmuseum Wolfsburg, Germany, and the Scottish National Gallery of Modern Art, Edinburgh. Douglas Gordon is a contemporary Scottish artist known for his ability to disrupt preconceived ideas about reality. His Blind Stars (2002) featured publicity photographs of mid-century movie stars in which the sitters' eyes were replaced by expressionless black, white or mirrored surfaces.[11]. In each of these genres, he has created diverse approaches to time, memory, and perception, using a range of techniques, such as repetition, doubling, mirroring, superimposition, and slow motion. Douglas Gordon is a contemporary Scottish artist known for his ability to disrupt preconceived ideas about reality. He won the Turner Prize in 1996, the Premio 2000 at the 47th Venice Biennale in 1997 and the Hugo Boss Prize in … In 2008, Gordon was a member of the Official Competition Jury at the 65th Venice International Film Festival. [1], Gordon has often reused older film footage in his photographs and videos. [23] His color photograph Monster (1996-7) is in the permanent collection of the Honolulu Museum of Art. In 1996, Gordon was one of the artists invited to Skulptur Projekte Münster,[13] and in 1997 he represented Britain at the Venice Biennale. Apr 2, 2013 - This Pin was discovered by Melissa Gill. Performances by Hélène Grimaud within the installation. As a result, it lasts for exactly 24 hours, rather than the original 109 minutes. The … He lives and works in Berlin, Germany. Douglas Gordon’s specially commissioned installation, Black Burns, is a response to the full-length marble statue of the poet Robert Burns, which stands in The Great Hall of the Scottish National Portrait Gallery. Installation view of Douglas Gordon, 2004, at the Hirshhorn Museum and Sculpture Garden February 12 to May 9, 2004 The Smithsonian’s Hirshhorn Museum and Sculpture Garden served as the exclusive East Coast venue for the first North American survey of works by Scottish artist Douglas Gordon (b. [3] In Between Darkness and Light (After William Blake) (1997), William Friedkin's Exorcist (1973) and Henry King's The Song of Bernadette (1943) - two films about adolescent girls driven by external forces[4] - are projected on either side of a single free-standing semi-transparent screen so they can be seen simultaneously. In Gordon’s world nothing is good or evil – but both at the same time. [19] Several photographs and video installations are in the Migros Museum for contemporary art in Zürich.,[20] in the Tate collection,[21] National Galleries of Scotland, Musée D'art Moderne de la Ville de Paris[22] as well as many other prestigious collections worldwide. In 2010, Gordon collaborated with Rufus Wainwright, creating the visuals for his tour which accompany Rufus' All Days Are Nights: Songs for Lulu album. From Hollywood films to scientific footage to classical literature, Douglas Gordon takes the seemingly familiar and twists it. In Phantom (2011), another collaboration with Wainwright, Gordon employs slow-motion film produced with a high-speed Phantom camera focusing on Wainright's eye — blackened with make-up, weeping, and glaring back at the viewer, echoing melodramatic performances by stars of the silent screen.[12]. In each projection the camera circles as the elephant walks around, lies down to play dead and gets up. His work was the subject of a 2001 retrospective organized by the Museum of Contemporary Art, Los Angeles, which traveled to the Vancouver Art Gallery, Canada; Museo Rufino Tamayo, Mexico City; and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. He uses material from the public realm and also creates performance-based videos. Douglas Gordon's new film explores trains, chamber music and love – and stars his partner's ex Tue 8 Feb 2011 16.46 EST First published on Tue 8 Feb 2011 16.46 EST Share on Facebook Photo Paul Mouginot. 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